作者簡介

Eva Kit Wah Man is Professor of Humanities and Creative Writing at Hong Kong Baptist University.

• Acknowledgments(第vii頁)
• Introduction(第ix頁)
• I. Body Discourses in Chinese Philosophy(第xxvii頁)
  • 1. Contemporary Feminist Body Theories and Mencius’ Ideas of Body and Mind(第1頁)
  • 2. Chinese Philosophy and the Suggestion of a Matriarchal Aesthetics(第17頁)
  • 3. Reclaiming the Body : Francis Bacon’s Fugitive Bodies and Confucian Aesthetics on Bodily Expression(第27頁)
• II. Body Aesthetics and Art(第43頁)
  • 4. Discourses on Female Bodily Aesthetics and Their Early Revelations in The Book of Songs(第45頁)
  • 5. Reflections on Traditional Chinese Women’s Embroidery : The Subject of Bodily Expression, Gender Identity, and Fashion(第61頁)
  • 6. Kissing in Chinese Culture(第73頁)
  • 7. Expression Extreme and History Trauma in Women’s Body Art in China : The Case of He Chengyao(第85頁)
  • 8. Notes on a Chinese Garden : Comparative Responses to Arnold Berleant’s Environmental Aesthetics(第101頁)
• III. Body and Gender Matters(第111頁)
  • 9. Female Bodily Aesthetics, Politics, and Feminine Ideals of Beauty in Chinese Traditions(第113頁)
  • 10. Beauty and the State : Literati Fantasy, Iron Girls, and the Olympics Hoopla(第139頁)
  • 11. Psychoanalysis and Women’s Physiology and Psychopathology in Feudal China : A Case Study by Pan Guangdan(第153頁)
  • 12. Fashioning Body : Hong Kong Chinese Women, Fashion, and Identity Issues of the Sixties(第175頁)
  • 13. Sex and Emotion : The Representation of Chinese Female Sex Workers in Recent Discourses and the Cosmopolitan Context(第185頁)
Appendix : Images(第200頁)
List of Permissions(第213頁)
Notes(第215頁)
Bibliography(第237頁)
Index(第249頁)