• Yishu典藏國際版 [第101期]:Stephanie Bailey, Julie Chun, Yan Zhou, and Andrew Stooke on pioneering contemporary women artists
  • 點閱:17
  • 並列題名:Yishu: Journal of Contemporary Chinese Art
  • 作者: Yishu Office編輯
  • 出版社:典藏雜誌社
  • 出版年:2021.05-10
  • 格式:PDF,JPG
租期7天 今日租書可閱讀至2022-01-29



Stephanie Bailey, Julie Chun, Yan Zhou, and Andrew Stooke on pioneering contemporary women artists

Tao Yongbai on a century of women artists in China

PAUSE: The early days of the pandemic in poems and photographs

Gu Ling—Miffed About Miffy

About Yishu

Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.

  • Editors’ Note(第1頁)
  • Contributors(第5頁)
  • From the Archive(第8頁)
    • Historical Watermarks: Tao Yongbai Reveals the Unwritten Histories of Women Artists in China(第8頁)
    • Moving in Step with the Century: Tracing the Historical Footfalls of Chinese Women’s Art(第9頁)
  • The Latest F Word: Undercurrents of Feminism in the Practices of Four Chinese Women Artists(第21頁)
  • After Communism and Capitalism: On Jen Liu’s Political Economy of Matter(第37頁)
  • On Representations of Sex and Race in Ye Funa’s Odalisque Funa and After Dinner Party(第47頁)
  • Censorship and Stereotypes of Senior Women in Chinese Visual Culture(第57頁)
  • A Queer Way of Life: Ren Hang’s Photography(第67頁)
  • Angels Wear White: Sexuality, Marriage, Family, Sisterhood, and a New Feminist Consciousness in Chinese Films(第81頁)
  • Pause(第90頁)
    • I am your Monolith, 2020(第90頁)
    • A Diary of the Lockdown Lifted(第99頁)
    • The Record of the Month of Wu Yin in the Year of Gengzi(第100頁)
  • Returns to the Homeplace: Personal Topographies of Memory in Contemporary Art from China(第105頁)
  • More than Forms: Decoding Circles in the Works of Zhang Jianjun and Yu Youhan(第113頁)
  • Resistance Is Not Always Futile: Reflecting on Taiwanese Art Collective Nation Oxygen(第129頁)
  • Social Discourse Miffed About Miffy: Feng Feng Stirs Up an Age-old Debate on Artistic Shanzhai(第137頁)
  • Chinese Name Index(第142頁)
紙本書 NT$ 700
NT$ 460

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