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  • Yishu典藏國際版 [第97期]:Awakenings : Art in Society in Asia 1960s–1990s
  • 點閱:16
  • 並列題名:Yishu: Journal of Contemporary Chinese Art
  • 作者: Yishu Office編輯
  • 出版社:典藏雜誌社
  • 出版年:2020.03-04
  • 格式:PDF
租期7天 今日租書可閱讀至2021-01-30

本期內容簡介
 
Awakenings: Art in Society in Asia 1960s–1990s
 
Second Anren Biennale

 
Zao Wou-Ki at Gagosian Gallery, Qin Yifeng at White
Cube Gallery
 
Painted Screen—Past and Future
 
Three Exhibitions at The National Gallery of Victoria


雜誌簡介
 
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
 
About Yishu

 
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
 
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.


  • 編者手記 Editor’s Note(第2頁)
  • 作者小傳 Contributors(第4頁)
  • 自主高於一切—《覺醒:1960至1990年代亞洲社會中的藝術》 Autonomy Above All—Awakenings: Art in Society in Asia 1960s–1990s(第6頁)
  • 對峙的地圖: 評2019年第二屆安仁雙年展 Maps in Confrontation: A Review of the 2019 2nd Anren Biennale(第22頁)
  • 趙無極在高古軒 Zao Wou-Ki at Gagosian Gallery(第30頁)
  • 秦一峰:負抽象 Qin Yifeng: Abstract in Negatives(第38頁)
  • 作為界面的屏風:評《畫屏:傳統與未來》 The Ubiquitous Interface: Reviewing Painted Screen—Past and Future(第45頁)
  • 維多利亞國家美術館的三個展覽 Three Exhibitions at The National Gallery of Victoria, Melbourne(第61頁)
  • 中英人名對照 Chinese Name Index(第107頁)
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租期7天
今日租書可閱讀至2021-01-30
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