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  • Yishu典藏國際版 [第91期]:Special symposium issue : from a history of exhibitions toward a future of exhibition making
  • 點閱:13
  • 並列題名:Yishu: Journal of Contemporary Chinese Art
  • 作者: Yishu Office編輯
  • 出版社:典藏雜誌社
  • 出版年:2019.03-04
  • 格式:PDF
租期7天 今日租書可閱讀至2021-01-25

本期內容簡介
Special symposium issue :
from a history of exhibitions toward a future of exhibition making
 
Editor’s Note

Yishu covers many aspects of contemporary Chinese art, such as artists, exhibitions, and timely issues through essays, interviews, and symposia. Yishu 91 presents a selection of texts that were presented at the symposium From a History of Exhibition Toward a Future of Exhibition Making, hosted at the Rockbund Art Museum, Shanghai, in November 2018.
This symposium, one of three on this subject organized by curator and writer Biljana Ciric, explores the importance of the 1990s in establishing China and Southeast Asia’s presence on the world art stage.
Yishu has worked with Ciric a number of times over the past two decades both as a writer, interviewer, and guest editor. She has been a central figure in rescuing the history of art and exhibitions in Shanghai, and has worked on exhibitions and projects in various parts of the globe.
The texts selected for this issue of Yishu directly address China, Hong Kong, and Taiwan and represent a variety of ideas and perspectives contributed by Ciric, Nikita Yingqian Cai, Julia Hartmann, Maggie J Zheng, Wang Ziyun, and Wei Yu. These are followed by a keynote address delivered by Qiu Zhijie summarizing some of his thoughts about the Chinese art world during the 1990s.
We thank all of them for the diligent research they carried out in preparing and presenting their texts.
The early exhibitions discussed in the various texts in Yishu 91 exemplify a period prior to the art market boom and are in large part artist initiated or self organized. All this has changed in the past two decades as growing market interests and the establishment of institutions have shifted the cultural ecology to create a strictly managed environment that artists often feel they must adhere to in order to achieve recognition.
The essays presented here serve as reminders of the possibilities of exhibition making, which can attain its integrity under the often challenging circumstances that have existed in the past, and undoubtedly will in the future.


雜誌簡介
 
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
 
About Yishu

 
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
 
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.


  • 編者手記(第2頁)
  • 作者小傳(第4頁)
  • 「從展覽的歷史到展覽製造的未來」-第二次研討會簡介(第6頁)
  • 卜漢克(Hank Bull)、申凡、周鐵海、施勇和丁乙-「我們談談錢:上海首屆國際傳真藝術展」(第8頁)
  • 閱後即焚:大尾象的跨二元主義抵抗(第19頁)
  • 從「女性藝術」到女藝術家群展:1990年代中國女性意識的展現(第32頁)
  • 尋跡山火:刀耕火種生態博物館的過去與現狀(第42頁)
  • 紙上「談兵」-1990年代中國實驗藝術的展示、生成及其他(第54頁)
  • 垃圾、噪音與地方美展(第68頁)
  • 主題發言:1990年代中國當代藝術的展覽史(第92頁)
  • 中英人名對照(第102頁)
紙本書 NT$ 350
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租期7天
今日租書可閱讀至2021-01-25
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